Games of Love and Chance (2003) :

Set in a Parisian suburban housing unit, this ‘banlieue' film reveals much about France's multiethnic youth culture and the use of the French language as it is juxtaposed between the teenagers' multi-ethnic slang and the polished rhetoric of the 18th century. Abdellatif Kechiche (35mm / 117min)

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LE PLAFOND DE VERRE (2004):

THE GLASS CEILING : Yamina Benguigui examines the integration of immigrants and French of Magrebian descent in the workplace though testimony by experts in the field as well as those who have been subjected to racial, ethnic and class discrimination. Yamina Benguigui

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HOP (2002):

In The Hop, Dominique Standaert treats the subject of childhood and immigrant life with great humor, alternating tragic situations with comic details. What could have been a dramatically somber social film criticizing the current state of immigration politics in Europe, turns out to be an uplifting and morally rich tale.  Dominique Standaert 

GRAND VOYAGE (2004): France-Morocco

The film's premise involves a devout elderly patriarch forcing his reluctant teenage son to drive them from their home in France to Saudi Arabia on a once-in-a-lifetime religious pilgrimage. In this road-movie, director Ismaël Ferroukhi handles cultural and generational differences with skill, while challenging preconceived notions about Islam. A few weeks before his high school final exam, Réda, a young man who lives in the south of France, is chosen to drive his aging father to Mecca for the traditional pilgrimage. From the start, the journey promises to be difficult, as Réda and his father have nothing in common. They are separated by culture, language and religion. Réda is a modern young man who does not speak Arabic and cares little about his father's deep sense of religion. Through Italy, Serbia, Turkey, Syria, Jordan and Saudi Arabia, Réda and his father interact minimally and the grandiose settings and often-desolate landscapes reflect this uneasiness. As their journey progresses, their adventures and misadventures bring father and son closer, forcing mutual recognition and reconciliation. In Mecca, where the filmmaker received rare permission to shoot, Réda's father disappears in the crowd of pilgrims, never to return. In this road-movie, Ismaël Ferroukhi handles cultural and generational differences with skill. In the director's efforts to "stop the clichés that are carried around about a community that is deeply pacifist and peaceful". the film challenges preconceived ideas about Ismaël Ferroukhi (Not Rated)

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