Born 1973 Singapore Education 1997 M.F.A., Painting and Drawing; The School of the Art Institute of Chicago; Chicago, IL 1994 M.A., Art History; University of Wisconsin-Madison; Madison, WI 1993 B.A., Magna cum Laude; University of Puget Sound; Tacoma, WA 1990 L.R.S.M., piano performance; The Royal School of Music, U.K. 1989 L.T.C.L., piano performance; The Trinity College of London, U.K. Solo Exhibitions 2003 Shoshana Wayne Gallery; Santa Monica, CA. Zolla/Lieberman Gallery; Chicago, IL. Savage Gallery; Portland, OR. 2002 Deitch Projects; New York, NY 2001 Savage; Portland, OR 2000 The Art Gallery of Ontario; Toronto, Canada 1999 Stefan Stux Gallery; New York, NY The Chicago Cultural Centre; Chicago, IL 1997 Lyons-Wier Gallery; Chicago, IL 1995 The Contemporary Art Workshop; Chicago, IL Group Exhibitions 2005 "Contemporary Erotic Drawing"; Aldrich Contemporary Art Museum, Ridgefield, CT. 2003 Marella Arte Contemporanea, Milan, Italy. "Women on Women"; White Box, New York, NY. 2002 "Proper Villains"; Space Untitled, New Haven, CT. "Bootleg Identity" Caren Golden Fine Art, New York, NY "Luscious Too"; Zolla/Lieberman Gallery, Chicago, IL. The Dubrow Biennial; Kagan Martos Gallery, New York, NY. "Artist to Artist: Celebrating the Marie Walsh Sharpe Foundation"; Ace Gallery, New York, NY 2001 "Peppermint"; Smack Mellon, Brooklyn, NY. "Buying Time: Granting Inspiration"; New York Foundation for the Arts/ Sotheby"Luscious"; Zolla/Lieberman Gallery, Chicago, IL 2000 Exit Art, Collectors Curate; New York, NY Galerie Schuster; Frankfurt/Berlin, Germany "Nude and Narrative"; P.P.O.W. Gallery; New York, NY "Private Worlds"; Art in General; New York, NY The Kwangju International Biennale, North American Section; Kwangju, Korea The Frankfurt Art Fair, with Galerie Schuster; Frankfurt, Germany The Armory Show 2000, with Stefan Stux Gallery, New York, NY Zolla/Lieberman Gallery; Chicago, IL 1998 "Riley, Wong & Shore"; The Lamont Art Gallery; The Phillips Exeter Academy; Exeter, NH "Wong & Maakestad"; Tobey Gallery; Memphis College of Art; Memphis, TN 1997 "Figure Eight"; The Rockford Art Museum. Rockford, IL "Coming Attractions"; Zolla/Lieberman Gallery; Chicago, IL "Dilemma"; Asian American Showcase 1996 "New Works Four Artists"; Art Saint Louis; Saint Louis, MO "1996 International Juried Show"; New Jersey Center for Visual Arts; Summit, NJ Spring Selections, Gallery 2; The School of the Art Institute of Chicago; Chicago, IL 1995 "Regional 95" Juried Exhibition; Indianapolis Art Center; Indianapolis, IN The Philip Morris "Singapore Art Awards 1995" Exhibition; Takashimaya Art Gallery; Singapore Fellowship/Residencies/Grants 2000 Artist Grant, The Joan Mitchell Foundation; New York, NY Artist Grant, New York Foundation for the Arts; New York, NY 1998 The Space Program, The Marie Walsh Sharpe Art Foundation; New York, NY The Millay Colony for the Arts; Austerlitz, NY 1997 Skowhegan School of Painting and Sculpture; Skowhegan, ME 1994 The Vilas Graduate Fellowship; University of Wisconsin-Madison, WI Academic/Visiting Artist Positions 2002 Visiting Artist; Maryland Institute College of Art 1999 Visiting Artist; Association of Independent Colleges of Art and Design; New York, NY 1998 Visiting Artist; The Phillips Exeter Academy; Exeter, NH 1997 J.R. Hyde Visiting Artist-in-Residence; The Memphis College of Art; Memphis, TN 1995 Instructor; Painting and Drawing Department, The School of the Art Institute of Chicago, IL Instructor; Early College Program, Continuing Studies, The School of the Art Institute of Chicago, IL Reviews/Publications 2004 Black Book magazine, Fall 2004. 2003 Charles Reeve, "From Anger to Vulgarity"; Art Papers January/February 2003. 2002 Kimberly Mora, "Restrain Yourself: Pornographic Imagery in Feminist Context", NY Arts Magazine. Brooks Barnes & Robert J. Hughes, The Wall Street Journal, April 5. Charlie Finch, "The Prisoners of Sex"; Arnet.com Magazine. Sarah Valdez, Time Out New York, March 14. Steven Vincent, "Su-en Wong's Naked City"; Art & Auction, April. David Hsieh, World Journal New York. 2000 Barcellano, Rose, "Painting Outside the Lines"; The Asian Reporter, Portland, OR 2000 Frank Hoffmann, "Report from Kwangju: Monoculture and Its Discontents"; Art in America, November Gillian McKay, "Sexual Stereotypes Stripped Down"; The Toronto Globe and Mail, Toronto, Canada Thomas Hirschmann, "Not so Innocent"; The National Post, Toronto, Canada Tom Finkelpearl, "Man + Space"; The Kwangju International Biennale Kwangju, Korea 1999 Ann Landi, Art News, November Anthony DiMaggio, Review Magazine, New York, NY, October 1 Ken Johnson, The New York Times, Art Guide September 17 1999 Michael Macinnis, The New York Art World Margaret Hawkins, "Bodies are Canvases for Exhibit1998 Painting as a Language I; Harcourt Brace College Publishers 1997 Anna Wilson, The New Art Examiner, Chicago, IL, October New American Paintings Midwestern States Edition; The Open Studio Press, Wellesley, MA Mark Swartz, "Torn Between Two Cultures"; The Reader, Chicago, IL 1996 John Wright, "Four Ground"; The Riverfront Times, Saint Louis, MO Carmen Vendelin, "Valkyrie Valtair/Su-en Wong"; The New Art Examiner, Chicago, IL, December Eileen Watkins, "Exhibition Provides a Judgmental Perspective"; The Sunday Star Ledger, NJ William Zimmer, "How a Curator Temporarily Turns into a Judge"; The New York Times, April 7 1995 Margaret Hawkins, "Second Look tell the Story of VisionsSharon Calhoon, "The Golden Touch: Whitney Curator Explores Identity Issues", "Nuvo", Indianapolis, IN
Born in Singapore in 1973, Su-en Wong grew up with aspirations of becoming a ballerina. At age 16 she left Singapore and traveled to the US to embark on a career as a concert pianist. She soon discovered stage fright, as well as an affinity and true love for painting and drawing. In 1997 she received her MFA in Painting from the School of the Art Institute of Chicago, and went on to finish studio residencies at the Marie Walsh Sharpe Art Foundation, New York and the Skowhegan School of Painting and Sculpture, Maine. Her solo exhibitions have appeared at Stefan Stux Gallery, New York (1999) and the Chicago Cultural Centre (1999). Stunning group exhibitions were held at the Kwangju International Biennale, Korea (2000), Zolla/Lieberman Gallery, Chicago (2000), and the Tobey Gallery, Memphis College of Art, (1998). Su-en is represented by Deitch Projects, New York and Shoshana Wayne Gallery, California. As recently as Spring 2003 she simply took the State of Oregon by storm in a show at Portland's Savage Gallery. Now, in September of 2003, she is working like mad for her LA and Chicago shows, which are very close to each other, in November and December. This awesome creature is currently living and working in the fortunate environs of Williamsburg, Brooklyn, New York. One can only ask, " What world will she conquer next?"
Su-en Wong at Arts Center - pdf
Su-en Wong at Art Gallery of Ontario
Su-en Wong at Art Institute of Chicago
Su-en Wong at artcritical.com - reviewed by Heather Taylor
still more Su-en Wong at Artnet
Su-en Wong at Artnet with Yeardley Leonard
Su-en Wong's arm at Artnet with Yeardley Leonard
Su-en Wong at Chicago Sun Times, reviewed by Margaret Hawkins
Su-en Wong at Feigen Contemporary
Su-en Wong at Gwangju Biennale
Su-en Wong at Harvard Advocate
Su-en Wong at New Enlightenment
Su-en Wong at New York Arts Magazine "Tales of Happy Communion" by Jill Conner
Su-en Wong at New York Foundation for the Arts
Su-en Wong at New York Observer - The Transom
Su-en Wong at Northwest Drizzle
Su-en Wong at Portland Mercury
more Su-en Wong at Savage Gallery
and more Su-en Wong at Savage Gallery
Su-en Wong and Heidi Cody at Savage Gallery
Su-en Wong at Marie Walsh Sharpe Art Foundation
Su-en Wong at Seni Singapore regional art showcase
Su-en Wong's comments at Seni Singapore regional art showcase
Su-en Wong at Village Voice Reviews by Jerry Saltz
Su-en Wong at Zolla/Lieberman Gallery, December 12, 2003-February 3 2004
Su-en Wong at Zolla/Lieberman Gallery