NIHON KENDO KATA
From Rod Omoto Sensei, Tacoma, WA
June, 1999
Secrets and short cuts are hidden in this chart. If you can find them they
will
greatly improve your ability to win a match. However, you must do lots of
Suburi
and Kiri Kaeshi so that when you discover the secrets, your Waza will just
happen.
It's your choice. You can use it anytime with anyone.
| Uchitachi
|
|
|
|
| Shitachi
|
|
|
|
Tachi
No.
|
Jo-dan
|
Chu-dan
|
Ge-dan
|
Has'so
|
|
Jo-dan
|
Chu-dan
|
Ge-dan
|
Wakigamae
|
|
Waza
|
Blade
Contact
|
1
|
O
| .
| .
| .
|
|
O
| .
| .
| .
|
|
Men Nuki Men
No
| |
2
| .
|
O
| .
| .
|
| .
|
O
| .
| .
|
|
Kote Nuki Kote
No
| |
3
| .
| .
|
O
| .
|
| .
| .
|
O
| .
|
|
Tsuki Nayashi Tsuki
Yes
| |
4
| .
| .
| .
|
O
|
| .
| .
| .
|
O
|
|
Tsuki Kaeshi Men
Yes
| |
5
|
O
| .
| .
| .
|
| .
|
O
| .
| .
|
|
Men Suri-age Men
Yes
| |
6
| .
|
O
| .
| .
|
| .
| .
|
O
| .
|
|
Kote Suri-age Kote
Yes
| |
7
| .
|
O
| .
| .
|
| .
|
O
| .
| .
|
|
Men Nuki Do
No
| |
Kodachi
No.
|
1
|
O
| .
| .
| .
|
| .
|
Han-mi
O
| .
| .
|
|
Men Ukenagashi Men (L)
Yes
| |
2
| .
| .
|
O
| .
|
| .
|
Han-mi
O
| .
| .
|
|
Men Ukenagashi Men (R)
Yes
| |
3
| .
|
O
| .
| .
|
| .
| .
|
Han-mi
O
| .
|
|
Men Suri-age then Suri-otoshi, Do Suri-nagashi then
Suri-komi
Yes
| |
Total
|
3
|
4
|
2
|
1
|
|
1
|
5
|
3
|
1
|
Relationship: Who creates the relationship and when? If he
creates
the relationship, I am under his control.
- According to Takano Sasaburo Sensei, the Shitachi is the main
character
and the Uchitachi is the supporting character.
- The Shitachi is the one who pressures Uchitachi so that Uchitachi
has to
respond to Shitachi's pressure.
- Most of the foot work in present day Kendo is stamping, jumping,
kicking,
etc., but the movements in Kata are Suri-ashi. All in smooth
Ayumi-ashi or
Tsugi-ashi without any abrupt exciting movements.
- However, because this is a predetermined form of Kata, and the
Uchitachi
is the leader, the Uchitachi must have compassion towards the Shitachi
as
though saying "Are you ready for the next move?" And because the
Shitachi
is in a position to pressure the Uchitachi, he would have the bold
attitude
like saying "I am ready anytime you are. Go ahead, make your move and
I am
with you on the spot."
- There are no Harai Waza, Maki Otoshi Waza or Kiri Otoshi Waza. This
could
be interpreted as "The opponent's sword is in the way and bothering
me. Therefore
I must first do something with his sword before I execute a Waza."
There could
be numerous Waza with Harai, Maki Otoshi or Kiri Otoshi, like Harai
Men, Harai
Kote, etc. The same goes for Maki Otoshi Waza. However, both Harai and
Maki
Otoshi could be a Seme having sword contact without Datotsu.
Therefore, "I
must wait for my Teki (opponent) to respond to my sword contact Seme."
- Breath control in relationship is very important. "Can I synchronize
my
Teki breath to my advantage so that I can detect his movement before
he makes
his move?"
Note on Nihon Kendo Kata: Blade Contact
There are two ways to cut: Non-blade contact and Blade contact.
- Non-blade Contact: there are three kinds of Waza with
non-blade contact.
- Where your Seme is so strong that the Teki freezes. In this
case, you
just walk into your Teki and strike.
- Where your Seme is strong enough you force your Teki to make his
first
move. Then you use your Debana Sen and strike.
- Where your Seme is strong enough you force your Teki to make his
first
move. Then you use your Nuki Waza, and let your Teki strike first
then
make your strike. (ie, Kata #1, Men Nuki Men; Kata #2, Kote Nuki
Kote;
Kata #7, Men Nuki Do)
- Blade Contact: there are three kinds of blade contact Waza.
- Nayashi Waza, where you slide away Teki's thrust Tsuki and
thrust back.
(ie, Kata #3, Tsuki Nayashi Tsuki)
- Kaeshi Waza, where you clip Teki's sword and make a Men cut.
(ie, Kata
#4, Tsuki Kaeshi Men; Kodachi #1 and #2, Men Kaeshi Men, to the
right
and left, respectively)
- Suri-age Waza, where you clip Teki's sword on the right and make
a Men
cut. (ie, Kata #5, Men Suri-age Men) A small Suri-age Kote is
where you
clip Teki's sword on the left and make a Kote cut (ie, Kata #6,
Kote Suri-age
Kote)
- The others are on Kodachi Kata #3: Suri-age, Suri-otoshi, and
Suri-komi.
I have also discussed at Myoho-ji about how to maintain Kata
performance in
the center of the Dojo. Uchitachi maintains the center, Shitachi does
the "one-inch
engagement."
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