Reserve list, Music 575 (Fall 1994)
28 Sept 94




Boretz, Benjamin. 1971. Meta-Variations: studies in the Foundations of Musical Thought. Ph.D. dissertation, Princeton University, 1971. (This is in our Music Library.)

-----. 1977. Meta-Variations, Part IV: Analytic Fallout (I). Perspectives of New Music 11/1 (Fall-Winter 1972): 146-223.

Kerman, Joseph.  1980. How We Got into Analysis, and How to Get Out. Critical Inquiry 7/2: 311-32.

Kerman, Joseph. 1985. Contemplating music : challenges to musicology. Cambridge, Mass: Harvard University Press.

Lewin, David. 1986. Music Theory, Phenomenology, and Modes of Perception. {bib} Music Perception 3/4: 327-92. 

-----. 1987. Generalized Musical Intervals and Transformations. New Haven: Yale University Press.

-----.  1993. Musical Form and Transformation: 4 Analytic Essays. New Haven: Yale University Press.

Rahn, John. 1979. Logic, Set Theory, Music Theory.   College Music Symposium 19, no. 1 (Spring): 114-27  (xerox)  (The Music Library is missing vol 19 of CMS Symposium.)

Rahn, John.  ND. (M)Other, or, Disciplinin' Dozens. Unpublished MS, on reserve. (Reply to Kerman 1980.)

Schenker, Heinrich. 1973. Thirteen essays from the three yearbooks, Das Meisterwerk in der Musik. Translated and annotated by Kalib, Sylvan Sol. Evanston, Ill., Northwestern University.

-----. 1979. Free composition (Der freie Satz) : volume III of New musical theories and fantasies.  Translated and edited by Ernst Oster. New York : Longman, c1979.

-----. 1981. Beethoven's Third Symphony, First Movement. Translation with annotations by William Eli Zwozdesky. UW M.A. dissertation, 1981.
 
-----. 1992.  Beethoven's ninth symphony : a portrayal of its musical content, with running commentary on performance and literature as well.  Translated and edited by John Rothgeb. New Haven : Yale University Press, c1992.